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  Although he didn’t know what Lucifer actually looked like, and though he assumed that the Father of Lies would be far more heart-chilling and formidable than this funhouse version, Vassago found the plastic and polyfoam behemoth sufficiently impressive to make it the center of the secret existence that he led within his hideaway. At the base of it, on the dry concrete floor of the drained lake, he had arranged his collection partly for his own pleasure and amusement but also as an offering to the god of terror and pain.

  The naked and decaying bodies of seven women and three men were displayed to their best advantage, as if they were ten exquisite sculptures by some perverse Michelangelo in a museum of death.

  9

  A single shallow gasp, one brief spasm of the heart muscles, and an involuntary nerve reaction that made his right arm twitch and his fingers open and close like the curling legs of a dying spider—those were the only signs of life the patient exhibited before settling once more into the still and silent posture of the dead.

  “Eighty-three degrees,” Helga said.

  Ken Nakamura wondered: “Defibrillation?”

  Jonas shook his head. “His heart’s not in fibrillation. It’s not beating at all. Just wait.”

  Kari was holding a syringe. “More epinephrine?”

  Jonas stared intently at the monitors. “Wait. We don’t want to bring him back only to overmedicate him and precipitate a heart attack.”

  “Seventy-six minutes,” Gina said, her voice as youthful and breathless and perkily excited as if she were announcing the score in a game of beach volleyball.

  “Eighty-four degrees.”

  Harrison gasped again. His heart stuttered, sending a series of spikes across the screen of the electrocardiograph. His whole body shuddered. Then he went flatline again.

  Grabbing the handles on the positive and negative pads of the defibrillation machine, Ken looked expectantly at Jonas.

  “Eighty-five degrees,” Helga announced. “He’s in the right thermal territory, and he wants to come back.”

  Jonas felt a bead of sweat trickle with centipede swiftness down his right temple and along his jaw line. The hardest part was waiting, giving the patient a chance to kick-start himself before risking more punishing techniques of forced reanimation.

  A third spasm of heart activity registered as a shorter burst of spikes than the previous one, and it was not accompanied by a pulmonary response as before. No muscle contractions were visible, either. Harrison lay slack and cold.

  “He’s not able to make the leap,” Kari Dovell said.

  Ken agreed. “We’re gonna lose him.”

  “Seventy-seven minutes,” Gina said.

  Not four days in the tomb, like Lazarus, before Jesus had called him forth, Jonas thought, but a long time dead nevertheless.

  “Epinephrine,” Jonas said.

  Kari handed the hypodermic syringe to Jonas, and he quickly administered the dosage through one of the same IV ports that he had used earlier to inject free-radical scavengers into the patient’s blood.

  Ken lifted the negative and positive pads of the defibrillation machine, and positioned himself over the patient, ready to give him a jolt if it came to that.

  Then the massive charge of epinephrine, a powerful hormone extracted from the adrenal glands of sheep and cattle and referred to by some resuscitation specialists as “reanimator juice,” hit Harrison as hard as any electrical shock that Ken Nakamura was prepared to give him. The stale breath of the grave exploded from him, he gasped air as if he were still drowning in that icy river, he shuddered violently, and his heart began to beat like that of a rabbit with a fox close on its tail.

  10

  Vassago had arranged each piece in his macabre collection with more than casual contemplation. They were not simply ten corpses dumped unceremoniously on the concrete. He not only respected death but loved it with an ardor akin to Beethoven’s passion for music or Rembrandt’s fervent devotion to art. Death, after all, was the gift that Satan had brought to the inhabitants of the Garden, a gift disguised as something prettier; he was the Giver of Death, and his was the kingdom of death everlasting. Any flesh that death had touched was to be regarded with all the reverence that a devout Catholic might reserve for the Eucharist. Just as their god was said to live within that thin wafer of unleavened bread, so the face of Vassago’s unforgiving god could be seen everywhere in the patterns of decay and dissolution.

  The first body at the base of the thirty-foot Satan was that of Jenny Purcell, a twenty-two-year-old waitress who had worked the evening shift in a re-creation of a 1950s diner, where the jukebox played Elvis Presley and Chuck Berry, Lloyd Price and the Platters, Buddy Holly and Connie Francis and the Everly Brothers. When Vassago had gone in for a burger and a beer, Jenny thought he looked cool in his black clothes, wearing sunglasses indoors at night and making no move to take them off. With his baby-faced good looks given interest by a contrastingly firm set to his jaw and a slight cruel twist to his mouth, and with thick black hair falling across his forehead, he looked a little like a young Elvis. What’s your name, she asked, and he said, Vassago, and she said, What’s your first name, so he said, That’s it, the whole thing, first and last, which must have intrigued her, got her imagination going, because she said, What, you mean like Cher only has one name or Madonna or Sting? He stared hard at her from behind his heavily tinted sunglasses and said, Yeah—you have a problem with that? She didn’t have a problem. In fact she was attracted to him. She said he was “different,” but only later did she discover just how different he really was.

  Everything about Jenny marked her as a slut in his eyes, so after killing her with an eight-inch stiletto that he drove under her rib cage and into her heart, he arranged her in a posture suitable for a sexually profligate woman. Once he had stripped her naked, he braced her in a sitting position with her thighs spread wide and knees drawn up. He bound her slender wrists to her shins to keep her upright. Then he used strong lengths of cord to pull her head forward and down farther than she could have managed to do while alive, brutally compressing her midriff; he anchored the cords around her thighs, so she was left eternally looking up the cleft between her legs, contemplating her sins.

  Jenny had been the first piece in his collection. Dead for about nine months, trussed up like a ham in a curing barn, she was withered now, a mummified husk, no longer of interest to worms or other agents of decomposition. She did not stink as she had once stunk.

  Indeed, in her peculiar posture, having contracted into a ball as she had decayed and dried out, she resembled a human being so little that it was difficult to think of her as ever having been a living person, therefore equally difficult to think of her as a dead person. Consequently, death seemed no longer to reside in her remains. To Vassago, she had ceased to be a corpse and had become merely a curious object, an impersonal thing that might always have been inanimate. As a result, although she was the start of his collection, she was now of minimal interest to him.

  He was fascinated solely with death and the dead. The living were of interest to him only insofar as they carried the ripe promise of death within them.

  11

  The patient’s heart oscillated between mild and severe tachycardia, from a hundred and twenty to over two hundred and thirty beats per minute, a transient condition resulting from the epinephrine and hypothermia. Except it wasn’t acting like a transient condition. Each time the pulse rate declined, it did not subside as far as it had previously, and with each new acceleration, the EKG showed escalating arrhythmia that could lead only to cardiac arrest.

  No longer sweating, calmer now that the decision to fight Death had been made and was being acted upon, Jonas said, “Better hit him with it.”

  No one doubted to whom he was speaking, and Ken Nakamura pressed the cold pads of the defibrillation machine to Harrison’s chest, bracketing his heart. The electrical discharge caused the patient to bounce violently against the table, and a sound like an iron mallet s
triking a leather sofa—wham!—slammed through the room.

  Jonas looked at the electrocardiograph just as Kari read the meaning of the spikes of light moving across the display: “Still two hundred a minute but the rhythm’s there now... steady... steady.”

  Similarly, the electroencephalograph showed alpha and beta brain waves within normal parameters for an unconscious man.

  “There’s self-sustained pulmonary activity,” Ken said.

  “Okay,” Jonas decided, “let’s respirate him and make sure he’s getting enough oxygen in those brain cells.”

  Gina immediately put the oxygen mask on Harrison’s face.

  “Body temperature’s at ninety degrees,” Helga reported.

  The patient’s lips were still somewhat blue, but that same deathly hue had faded from under his fingernails.

  Likewise, his muscle tone was partially restored. His flesh no longer had the flaccidity of the dead. As feeling returned to Harrison’s deep-chilled extremities, his punished nerve endings excited a host of tics and twitches.

  His eyes rolled and jiggled under his closed lids, a sure sign of REM sleep. He was dreaming.

  “One hundred and twenty beats a minute,” Kari said, “and declining... completely rhythmic now... very steady.”

  Gina consulted her watch and let her breath out in a whoosh of amazement. “Eighty minutes.”

  “Sonofabitch,” Ken said wonderingly, “that beats the record by ten.”

  Jonas hesitated only a brief moment before checking the wall clock and making the formal announcement for the benefit of the tape recorder: “Patient successfully resuscitated as of nine-thirty-two Monday evening, March fourth.”

  A murmur of mutual congratulations accompanied by smiles of relief was as close as they would get to a triumphant cheer of the sort that might have been heard on a real battleground. They were not restrained by modesty but by a keen awareness of Harrison’s tenuous condition. They had won the battle with Death, but their patient had not yet regained consciousness. Until he was awake and his mental performance could be tested and evaluated, there was a chance that he had been reanimated only to live out a life of anguish and frustration, his potential tragically circumscribed by irreparable brain damage.

  12

  Enraptured by the spicy perfume of death, at home in the subterranean bleakness, Vassago walked admiringly past his collection. It encircled one-third of the colossal Lucifer.

  Of the male specimens, one had been taken while changing a flat tire on a lonely section of the Ortega Highway at night. Another had been asleep in his car in a public-beach parking lot. The third had tried to pick up Vassago at a bar in Dana Point. The dive hadn’t even been a gay hangout; the guy had just been drunk, desperate, lonely—and careless.

  Nothing enraged Vassago more than the sexual needs and excitement of others. He had no interest in sex any more, and he never raped any of the women he killed. But his disgust and anger, engendered by the mere perception of sexuality in others, were not a result of jealousy, and did not spring from any sense that his impotency was a curse or even an unfair burden. No, he was glad to be free of lust and longing. Since becoming a citizen of the borderland and accepting the promise of the grave, he did not regret the loss of desire. Though he was not entirely sure why the very thought of sex could sometimes throw him into a rage, why a flirtatious wink or a short skirt or a sweater stretched across a full bosom could incite him to torture and homicide, he suspected that it was because sex and life were inextricably entwined. Next to self-preservation, the sex drive was, they said, the most powerful human motivator. Through sex, life was created. Because he hated life in all its gaudy variety, hated it with such intensity, it was only natural that he would hate sex as well.

  He preferred to kill women because society encouraged them, more than men, to flaunt their sexuality, which they did with the assistance of makeup, lipstick, alluring scents, revealing clothes, and coquettish behavior. Besides, from a woman’s womb came new life, and Vassago was sworn to destroy life wherever he could. From women came the very thing he loathed in himself: the spark of life that still sputtered in him and prevented him from moving on to the land of the dead, where he belonged.

  Of the remaining six female specimens in his collection, two had been housewives, one a young attorney, one a medical secretary, and two college students. Though he had arranged each corpse in a manner fitting the personality, spirit, and weaknesses of the person who had once inhabited it, and though he had considerable talent for cadaver art, making especially clever use of a variety of props, he was far more pleased by the effect he had achieved with one of the students than with all of the others combined.

  He stopped walking when he reached her.

  He regarded her in the darkness, pleased by his work....

  Margaret...

  He first saw her during one of his restless late-night rambles, in a dimly lighted bar near the university campus, where she was sipping diet cola, either because she was not old enough to be served beer along with her friends or because she was not a drinker. He suspected the latter.

  She looked singularly wholesome and uncomfortable in the smoke and din of the tavern. Even from halfway across the room, judging by her reactions to her friends and her body language, Vassago could see that she was a shy girl struggling hard to fit in with the crowd, even though in her heart she knew that she would never entirely belong. The roar of liquor-amplified conversation, the clink and clatter of glasses, the thunderous jukebox music of Madonna and Michael Jackson and Michael Bolton, the stink of cigarettes and stale beer, the moist heat of college boys on the make—none of that touched her. She sat in the bar but existed apart from it, unstained by it, filled with more secret energy than that entire roomful of young men and women combined.

  She was so vital, she seemed to glow. Vassago found it hard to believe that the ordinary, sluggish blood of humanity moved through her veins. Surely, instead, her heart pumped the distilled essence of life itself.

  Her vitality drew him. It would be enormously satisfying to snuff such a brightly burning flame of life.

  To learn where she lived, he followed her home from the bar. For the next two days, he stalked the campus, gathering information about her as diligently as a real student might have researched a term paper.

  Her name was Margaret Ann Campion. She was a senior, twenty years old, majoring in music. She could play the piano, flute, clarinet, guitar, and almost any other instrument she took a fancy to learn. Perhaps the best-known and most-admired student in the music program, she was also widely considered to possess an exceptional talent for composition. An essentially shy person, she made a point of forcing herself out of her shell, so music was not her only interest. She was on the track team, the second-fastest woman in their lineup, a spirited competitor; she wrote about music and movies for the student paper; and she was active in the Baptist church.

  Her astonishing vitality was evident not merely in the joy with which she wrote and played music, not just in the almost spiritual aura that Vassago had seen in the bar, but also in her physical appearance. She was incomparably beautiful, with the body of a silver-screen sex goddess and the face of a saint. Clear skin. Perfect cheek-bones. Full lips, a generous mouth, a beatific smile. Limpid blue eyes. She dressed modestly in an attempt to conceal the sweet fullness of her breasts, the contrasting narrowness of her waist, the firmness of her buttocks, and the long supple lines of her legs. But he was certain that when he stripped her, she would be revealed for what he had known her to be when he had first glimpsed her: a prodigious breeder, a hot furnace of life in which eventually other life of unparalleled brightness would be conceived and shaped.

  He wanted her dead.

  He wanted to stop her heart and then hold her for hours, feeling the heat of life radiate out of her, until she was cold.

  This one murder, it seemed to him, might at last earn him passage out of the borderland in which he lived and into the land of the dead and d
amned, where he belonged, where he longed to be.

  Margaret made the mistake of going alone to a laundry room in her apartment complex at eleven o’clock at night. Many of the units were leased to financially comfortable senior citizens and, because they were near the University of California at Irvine, to pairs and trios of students who shared the rent. Maybe the tenant mix, the fact that it was a safe and friendly neighborhood, and the abundance of landscape and walkway lighting all combined to give her a false sense of security.

  When Vassago entered the laundry room, Margaret had just begun to put her dirty clothes into one of the washing machines. She looked at him with a smile of surprise but with no apparent concern, though he was dressed all in black and wearing sunglasses at night.

  She probably thought he was just another university student who favored an eccentric look as a way of proclaiming his rebellious spirit and intellectual superiority. Every campus had a slew of the type, since it was easier to dress as a rebellious intellectual than be one.

  “Oh, I’m sorry, Miss,” he said, “I didn’t realize anyone was in here.”

  “That’s okay. I’m only using just one washer,” she said. “There’re two others.”

  “No, I already did my laundry, then back at the apartment when I took it out of the basket, I was missing one sock, so I figure it’s got to be in one of the washers or dryers. But I didn’t mean to get in your way. Sorry about that.”

  She smiled a little broader, maybe because she thought it funny that a would-be James Dean, black-clad rebel without a cause, would choose to be so polite—or would do his own laundry and chase down lost socks.

  By then he was beside her. He hit her in the face—two hard, sharp punches that knocked her unconscious. She crumpled onto the vinyl-tile floor as if she were a pile of laundry.

  Later, in the dismantled Hell under the moldering funhouse, when she regained consciousness and found herself naked on the concrete floor and effectively blind in those lightless confines, tied hand and foot, she did not attempt to bargain for her life as some of the others had done. She didn’t offer her body to him, didn’t pretend to be turned on by his savagery or the power that he wielded over her. She didn’t offer him money, or claim to understand and sympathize with him in a pathetic attempt to convert him from nemesis to friend. Neither did she scream nor weep nor wail nor curse. She was different from the others, for she found hope and comfort in a quiet, dignified, unending chain of whispered prayers. But she never prayed to be delivered from her tormentor and returned to the world out of which she had been torn—as if she knew that death was inevitable. Instead, she prayed that her family would be given the strength to cope with the loss of her, that God would take care of her two younger sisters, and even that her murderer would receive divine grace and mercy.

  Vassago swiftly came to loathe her. He knew that love and mercy were nonexistent, just empty words. He had never felt love, neither during his time in the borderland nor when he had been one of the living. Often, however, he had pretended to love someone—father, mother, a girl—to get what he wanted, and they had always been deceived. Being deceived into believing that love existed in others, when it didn’t exist in you, was a sign of fatal weakness. Human interaction was nothing but a game, after all, and the ability to see through deception was what separated the good players from the inept.

  To show her that he could not be deceived and that her god was powerless, Vassago rewarded her quiet prayers with a long and painful death. At last she did scream. But her screams were not satisfying, for they were only the sounds of physical agony; they did not reverberate with terror, rage, or despair.

  He thought he would like her better when she was dead, but even then he still hated her. For a few minutes he held her body against him, feeling the heat drain from it. But the chilly advance of death through her flesh was not as thrilling as it should have been. Because she had died with an unbroken faith in life everlasting, she had cheated Vassago of the satisfaction of seeing the awareness of death in her eyes. He pushed her limp body aside in disgust.

  Now, two weeks after Vassago had finished with her, Margaret Campion knelt in perpetual prayer on the floor of that dismantled Hell, the most recent addition to his collection. She remained upright because she was lashed to a length of steel rebar which he had inserted into a hole he had drilled in the concrete. Naked, she faced away from the giant, funhouse devil. Though she had been Baptist, a crucifix was clasped in her dead hands because Vassago liked the image of the crucifix better than a simple cross; it was turned upside down, with Christ’s thorn-prickled head toward the floor. Margaret’s own head had been cut off then resewn to her neck with obsessive care. Even though her body was turned away from Satan, she faced toward him in denial of the crucifix held irreverently in her hands. Her posture was symbolic of hypocrisy, mocking her pretense to faith, love, and life everlasting.

  Although Vassago hadn’t received nearly as much pleasure from murdering Margaret as from what he had done to her after she was dead, he was still pleased to have made her acquaintance. Her stubbornness, stupidity, and self-deception had made her death less satisfying for him than it should have been, but at least the aura he had seen around her in the bar was quenched. Her irritating vitality was drained away. The only energy her body harbored was that of the multitudinous carrion-eaters that teemed within her, consuming her flesh and bent on reducing her to a dry husk like Jenny, the waitress, who rested at the other end of the collection.

  As he studied Margaret, a familiar need arose in him. Finally the need became a compulsion. He turned away from his collection, retracing his path across the huge room, heading for the ramp that led up to the entrance tunnel. Ordinarily, selecting another acquisition, killing it, and arranging it in the most aesthetically satisfying pose would have left him quiescent and sated for as much as a month. But after less than two weeks, he was compelled to find another worthy sacrifice.

  Regretfully, he ascended the ramp, out of the purifying scent of death, into air tainted with the odors of life, like a vampire driven to hunt the living though preferring the company of the dead.

  13

  At ten-thirty, almost an hour after Harrison was resuscitated, he remained unconscious. His body temperature was normal. His vital signs were good. And