Frankenstein - Prodigal Son Read online

  Meanwhile, he polished his own perfection. He undertook two hours of physical training every day. Regarding himself as a Renaissance man, he read literature for exactly one hour, studied a new subject for exactly one hour, meditated on the great mysteries and the major issues of his time for another hour every day.

  He ate only organic produce. He bought no meat from factory farms. No pollutants tainted him, no pesticides, no radiological residue, and certainly no strange lingering genetic material from bio-engineered foods.

  Eventually, when he had refined his diet to perfection and when his body was as tuned as an atomic clock, he expected that he would cease to eliminate waste. He would process every morsel so completely that it would be converted entirely to energy, and he would produce no urine, no feces.

  Perhaps he would then encounter the perfect woman. He often dreamed about the intensity of the sex they would have. As profound as nuclear fusion.

  Locals loved the Riverwalk, but Roy suspected that most people here today were tourists, considering how they paused to gawk at the caricature artists and street musicians. Locals would not be drawn in such numbers to the stands piled with New Orleans T-shirts.

  At a bright red wagon where cotton candy was sold, Roy suddenly halted. The fragrance of hot sugar cast a sweet haze around the cart.

  The cotton-candy vendor sat on a stool under a red umbrella. In her twenties, less than plain, with unruly hair. She looked as baggy and as simply made as a Muppet, though without as much personality.

  But her eyes. Her eyes.

  Roy was captivated. Her eyes were priceless gems displayed in a cluttered and dusty case, a striking greenish blue.

  The skin around her eyes crinkled alluringly as she caught his attention and smiled. "Can I help you?"

  Roy stepped forward. "I'd like something sweet."

  “All I've got is cotton candy."

  "Not all," he said, marveling at how suave he could be.

  She looked puzzled.

  Poor thing. He was too smooth for her.

  He said, "Yes, cotton candy, please."

  She picked up a paper cone and began to twirl it through the spun sugar, wrapping it with a cloud of sugary confection.

  "What's your name?" he asked.

  She hesitated, seemed embarrassed, averted her eyes. "Candace."

  "A girl named Candy is a candy vendor? Is that destiny or just a good sense of humor?"

  She blushed. "I prefer Candace. Too many negative connotations for a... a heavy woman to be called Candy."

  "So you're not an anorexic model, so what? Beauty comes in lots of different packages."

  Candace obviously had seldom if ever heard such kind words from an attractive and desirable man like Roy Pribeaux.

  If she herself ever thought about a day when she would excrete no wastes, she must know that he was far closer to that goal than she was.

  ""You have beautiful eyes," he told her. "Strikingly beautiful eyes. The kind a person could look into for years and years."

  Her blush intensified, but her shyness was overwhelmed by astonishment to such a degree that she made eye contact with him.

  Roy knew he dared not come on to her too strong. After a life of rejection, she'd suspect that he was setting her up for humiliation.

  “As a Christian man," he explained, though he had no religious convictions, "I believe God made everyone beautiful in at least one respect, and we need to recognize that beauty Your eyes are just. .. perfect. They're the windows to your soul."

  Putting the cloud of cotton candy on a counter-top holder, she averted her eyes again as though it might be a sin to let him enjoy them too much. "I haven't gone to church since my mother died six years ago."

  "I'm sorry to hear that. She must have died so young."

  "Cancer," Candace revealed. "I got so angry about it. But now... I miss church."

  "We could go together sometime, and have coffee after."

  She dared his stare again. "Why?"

  "Why not?"

  "It's just... You're so..."

  Pretending a shyness of his own, he looked away from her. "So not your type? I know to some people I might appear to be shallow—"

  "No, please, that's not what I meant." But she couldn't bring herself to explain what she had meant.

  Roy withdrew a small notepad from his pocket, scribbled with a pen, and tore off a sheet of paper. "Here's my name — Ray Darnell— and my cellphone number. Maybe you'll change your mind."

  Staring at the number and the phony name, Candace said, "I've always been pretty much a... private person."

  The dear, shy creature.

  "I understand," he said. "I've dated very little. I'm too old-fashioned for women these days. They're so... bold. I'm embarrassed for them."

  When he tried to pay for his cotton candy, she didn't want to take his money. He insisted.

  He walked away, nibbling at the confection, feeling her gaze on him. Once out of sight, he threw the cotton candy in a trash can.

  Sitting on a bench in the sun, he consulted the notepad. On the last page at the back of it, he kept his checklist. After so much effort here in New Orleans and, previously, elsewhere, he had just yesterday checked off the next-to-last item: hands.

  Now he put a question mark next to the final item on the list, hoping that he could cross it off soon.

  EYES?

  CHAPTER 6

  HE IS A CHILD of Mercy, Mercy-born and Mercy-raised.

  In his windowless room he sits at a table, working with a thick book of crossword puzzles. He never hesitates to consider an answer. Answers come to him instantly, and he rapidly inks letters in the squares, never making an error.

  His name is Randal Six because five males have been named Randal and have gone into the world before him. If ever he, too, went into the world, he would be given a last name.

  In the tank, before consciousness, he'd been educated by direct-to-brain data downloading. Once brought to life, he had continued to learn during sessions of drug-induced sleep.

  He knows nature and civilization in their intricacies, knows the look and smell and sound of places he has never been. Yet his world is largely limited to a single room.

  The agents of Mercy call this space his billet, which is a term to describe lodging for a soldier.

  In the war against humanity—a secret war now but not destined to remain secret forever—he is an eighteen-year-old who came to life four months ago.

  To all outward appearances, he is eighteen, but his knowledge is greater than that of most elderly scholars.

  Physically, he is sound. Intellectually, he is advanced.

  Emotionally, something is wrong with him.

  He does not think of his room as his billet. He thinks of it as his cell.

  He himself, however, is his own prison. He lives mostly within himself. He speaks little. He yearns for the world beyond his cell, beyond himself, and yet it frightens him.

  Most of the day he spends with crossword puzzles, immersed in the vertical and horizontal patterns of words. The world beyond his quarters is alluring but it is also… disorderly, chaotic. He can feel it pressing against the walls, pressing, pressing, and only by focusing on crosswords, only by bringing order to the empty boxes by filling them with the absolutely right letters can he keep the outer disorder from invading his space.

  Recently, he has begun to think that the world frightens him because Father has programmed him to be afraid of it. From Father, he has received his education, after all, and his life.

  This possibility confuses him. He cannot understand why Father would create him to be... dysfunctional. Father seeks perfection in all things.

  One thing gives him hope. Out in the world, and not far away, right here in New Orleans, is another like him. Not one of Father's creations, but likewise afflicted.

  Randal Six is not alone. If only he could meet his equal, he would better understand himself... and be free.

  CHAPTER 7

  AN
OSCILLATING fan riffled the documents and case notes—held down by makeshift paperweights—on Carson's desk. Beyond the windows, an orange sunset had deepened to crimson, to purple.

  Michael was at his desk in the Homicide Division, adjacent to Carson's, occupied by much of the same paperwork. She knew that he was ready to go home, but he usually let her define the workday.

  "You checked our doc box lately?" she asked.

  "Ten minutes ago," Michael reminded her. "You send me out there one more time, I'm going to eat a get-small mushroom and just stay in the doc box until the report shows up."

  "We should've had the prelim autopsy on that floater hours ago," she complained.

  “And I shoulda been born rich. Go figure."

  She consulted photos of cadavers in situ while Michael watched.

  The first victim, a young nurse named Shelley Justine, had been murdered elsewhere and dumped beside the London Street Canal. Tests revealed the chemical signature of chloroform in her blood.

  After the killer rendered her unconscious, he killed her with a knife to the heart. With exquisite precision he removed her ears. A peptide profile found no elevated endorphin levels in the blood, indicating that the surgery occurred after she was dead. Had she been alive, the pain and terror would have left telltale chemistry.

  The second victim, Meg Saville, a tourist from Idaho, had also been chloroformed and knifed while unconscious. The Surgeon—the press's name for him—had neatly sawed off Saville's feet.

  "If he'd just always take feet," Michael said, "we'd know he was a podiatrist, and we'd have found him by now."

  Carson shuffled the next photo to the top of the stack.

  The first two victims had been women; however, neither Shelley Justine nor Meg Saville had been molested.

  When the third victim was a man, the killer established his bona fides as an equal-opportunity maniac. The body of Bradford Walden—a young bartender from a hole-in-the-wall across the river in Algiers—had been found with the right kidney surgically removed.

  The switch to souvenirs of internal origin wasn't troubling—an urge to collect feet and ears was no less disturbing than a fancy for kidneys—but it was curious.

  Chemical traces of chloroform were found, but this time peptide profiles showed that Walden had been alive and awake for the surgery. Had the chloroform worn off too soon? Or had the killer intentionally let the man wake up? In either case, Walden died in agony, his mouth stuffed with rags and sealed with duct tape to muffle his screams.

  The fourth victim, Caroline Beaufort, Loyola University student, had been discovered with both legs missing, her torso propped on an ornate bench at a trolley-car stop in the upscale Garden District. She had been chloroformed and unconscious when murdered.

  For his fifth kill, the Surgeon dispensed with the anesthetic. He murdered another man, Alphonse Chaterie, a dry cleaner. He collected Chaterie's liver while the victim was alive and fully awake: not a trace of chloroform.

  Most recently, this morning's body in the City Park lagoon was missing both hands.

  Four women, two men. Four with chloroform, one without, one set of results pending. Each victim missing one or more body parts. The first three women were killed before the trophies were removed, while the men were alive and conscious for the surgery.

  Apparently none of the victims had known any of the others. Thus far no mutual acquaintances had come to light, either.

  "He doesn't like to see women suffer, but men in agony are okay with him," Carson said, and not for the first time.

  Michael had a new thought. "Maybe the killer's a woman, has more sympathy for her own gender."

  "Yeah, right. How many serial killers have ever been women?"

  "There've been a few," he said. "But, I am proud to say, men have been a lot more successful at it."

  Carson wondered, "Is there a fundamental difference between lopping off female body parts and digging out male internal organs?"

  "We've been down this road. Two serial killers collecting body parts in the same city in the same three-week period? 'Is such a coincidence logical, Mr. Spock?' 'Coincidence, Jim, is just a word superstitious people use to describe complex events that in truth are the mathematically inevitable consequences of a primary cause.'"

  Michael made this work a lot less gruesome and more tolerable, but sometimes she wanted to thump him. Hard.

  “And what does that mean?" she asked.

  He shrugged. "I never did understand Spock."

  Appearing as if conjured into a pentagram, Harker dropped an envelope on Carson's desk. "ME's report on the floater. Delivered to my doc box by mistake."

  Carson didn't want a push-and-shove with Harker, but she could not let obvious interference pass unremarked. "One more time your foot's on mine, I'll file a complaint with the chief of detectives."

  "I'm so afraid," Harker dead-panned. His reddened face glistened with a sheen of sweat. "No ID on the floater yet, but it looks pretty much like she was chloroformed, taken someplace private, and killed with a stiletto to the heart before her hands were taken."

  When Harker continued to stand there, the day's sun bottled in his glassy face, Michael said, “And?"

  "You've checked out everyone with easy access to chloroform. Researchers doing animal experimentation, employees at medical supply companies.... But two sites on the Internet offer formulas for making it in the kitchen sink, out of stuff you can buy at the supermarket. I'm just saying this case doesn't fit in any standard box. You're looking for something you've never seen before. To stop this guy, you've got to go to a weirder place—one level below Hell."

  Harker turned from them and walked away across the squad room.

  Carson and Michael watched him leave. Then Michael said, "What was that? It almost seemed like genuine concern for the public."

  "He was once a good cop. Maybe a part of him still is."

  Michael shook his head. "I liked him better as an asshole."

  CHAPTER 8

  OUT OF THE LAST of the twilight came Deucalion with a suitcase, in clothes too heavy for the sultry night.

  This neighborhood offered markedly less glamour than the French Quarter. Seedy bars, pawn shops, liquor stores, head shops.

  Once a grand movie house, the Luxe Theater had become a shabby relic specializing in revivals. On the marquee, unevenly spaced loose plastic letters spelled out the current double feature:

  THURS THRU SUNDAY

  DON SIEGEL REVIVAL

  INVASION OF THE BODY SNATCHERS

  HELL IS FOR HEROES

  The marquee was dark, the theater closed either for the night or permanently.

  Not all of the streetlamps were functioning. Approaching the Luxe, Deucalion found a route of shadows.

  He passed a few pedestrians, averting his face without seeming to, and drew attention only for his height.

  He slipped into a service walk beside the movie palace. For more than two centuries, he had used back doors or even more arcane entrances.

  Behind the theater, a bare bulb in a wire cage above the back door shed light as drab and gray as this litter-strewn alleyway.

  Sporting multiple layers of cracked and chipped paint, the door was a scab in the brick wall. Deucalion studied the latch, the lock .. . and decided to use the bell.

  He pushed the button, and a loud buzz vibrated through the door. Inside the quiet theater, it must have echoed like a fire alarm.

  Moments later, he heard heavy movement inside. He sensed that he was being studied through the fish-eye security lens.

  The lock rattled, and the door opened to reveal a sweet face and merry eyes peering out of a prison of flesh. At five feet seven and perhaps three hundred pounds, this guy was twice the man he should have been.

  “Are you Jelly Biggs?" Deucalion asked.

  "Do I look like I'm not?"

  "You're not fat enough."

  "When I was a star in the ten-in-one, I weighed almost three hundred more. I'm half the man I used to b
e."

  "Ben sent for me. I'm Deucalion."

  "Yeah, I figured. In the old days, a face like yours was gold in the carnival."

  "We're both blessed, aren't we?"

  Stepping back, motioning Deucalion to enter, Biggs said, "Ben told me a lot about you. He didn't mention the tattoo."

  "It's new."

  "They're fashionable these days," said Jelly

  Biggs-Deucalion stepped across the threshold into a wide but shabby hallway. “And me," he said drily, "I've always been a fashion plate."

  BEHIND THE BIG theater screen, the Luxe featured a labyrinth of passages, storage closets, and rooms that no patron had ever visited. With a rolling gait and heavy respiration, Jelly led the way past crates, mildewed cardboard boxes, and moisture-curled posters and stand-ups that promoted old films.

  "Ben put seven names on the letter he sent me," Deucalion said.

  "You once mentioned Rombuk monastery, so he figured you might still be there, but he didn't know what name you'd be using."

  "He shouldn't have shared my names."

  "Just knowin' your aliases doesn't mean I can mojo you."

  They arrived at a door that wore an armor-thick coat of green paint. Biggs opened it, switched on a light, gestured for Deucalion to enter ahead of him.

  A windowless but cozy apartment lay beyond. A kitchenette was adjacent to the combination bedroom and living room. Ben loved books, and two walls were lined with them.

  Jelly Biggs said, "It's a sweet place you inherited."

  The key word whipped through Deucalion's mind before lashing back with a sharp sting. "Inherited. What do you mean? Where's Ben?"

  Jelly looked surprised. "You didn't get my letter?"

  "Only his."

  Jelly sat on one of the chrome and red-vinyl chairs at the dinette table. It creaked. "Ben was mugged."

  The world is an ocean of pain. Deucalion felt the old familiar tide wash through him.

  "This isn't the best part of town, and getting worse," Biggs said. "Ben bought the Luxe when he retired from the carnival. The neighborhood was supposed to be turning around. It didn't. The place would be hard to sell these days, so Ben wanted to hold on."