Eyes of Darkness Page 4

  “We got a hit, kid,” Joel assured Tina once more.

  In the next semicircular booth, Charles Mainway greeted Tina with a warm smile. Mainway carried and held himself as if he were an aristocrat, and his mane of silver hair and his clear blue eyes contributed to the image he wished to project. However, his features were large, square, and utterly without evidence of patrician blood, and even after the mellowing influences of elocution teachers, his naturally low, gravelly voice belied his origins in a rough Brooklyn neighborhood.

  As Tina slid into the booth beside Mainway, a tuxedoed captain appeared and filled her glass with Dom Pérignon.

  Helen Mainway, Charlie’s wife, sat at his left side. Helen was by nature everything that poor Charlie struggled to be: impeccably well-mannered, sophisticated, graceful, at ease and confident in any situation. She was tall, slender, striking, fifty-five years old but able to pass for a well-preserved forty.

  “Tina, my dear, I want you to meet a friend of ours,” Helen said, indicating the fourth person in the booth. “This is Elliot Stryker. Elliot, this lovely young lady is Christina Evans, the guiding hand behind Magyck!”

  “One of two guiding hands,” Tina said. “Joel Bandiri is more responsible for the show than I am—especially if it’s a flop.”

  Stryker laughed. “I’m pleased to meet you, Mrs. Evans.”

  “Just plain Tina,” she said.

  “And I’m just plain Elliot.”

  He was a rugged, good-looking man, neither big nor small, about forty. His dark eyes were deeply set, quick, marked by intelligence and amusement.

  “Elliot’s my attorney,” Charlie Mainway said.

  “Oh,” Tina said, “I thought Harry Simpson—”

  “Harry’s a hotel attorney. Elliot handles my private affairs.”

  “And handles them very well,” Helen said. “Tina, if you need an attorney, this is the best in Las Vegas.”

  To Tina, Stryker said, “But if it’s flattery you need—and I’m sure you already get a lot of it, lovely as you are—no one in Vegas can flatter with more charm and style than Helen.”

  “You see what he just did?” Helen asked Tina, clapping her hands with delight. “In one sentence he managed to flatter you, flatter me, and impress all of us with his modesty. You see what a wonderful attorney he is?”

  “Imagine him arguing a point in court,” Charlie said.

  “A very smooth character indeed,” Helen said.

  Stryker winked at Tina. “Smooth as I might be, I’m no match for these two.”

  They made pleasant small talk for the next fifteen minutes, and none of it had to do with Magyck! Tina was aware that they were trying to take her mind off the show, and she appreciated their effort.

  Of course no amount of amusing talk, no quantity of icy Dom Pérignon could render her unaware of the excitement that was building in the showroom as curtain time drew near. Minute by minute the cloud of cigarette smoke overhead thickened. Waitresses, waiters, and captains rushed back and forth to fill the drink orders before the show began. The roar of conversation grew louder as the sounds ticked away, and the quality of the roar became more frenetic, gayer, and more often punctuated with laughter.

  Somehow, even though her attention was partly on the mood of the crowd, partly on Helen and Charlie Mainway, Tina was nevertheless aware of Elliot Stryker’s reaction to her. He made no great show of being more than ordinarily interested in her, but the attraction she held for him was evident in his eyes. Beneath his cordial, witty, slightly cool exterior, his secret response was that of a healthy male animal, and her awareness of it was more instinctual than intellectual, like a mare’s response to the stallion’s first faint stirrings of desire.

  At least a year and a half, maybe two years, had passed since a man had looked at her in quite that fashion. Or perhaps this was the first time in all those months that she had been aware of being the object of such interest. Fighting with Michael, coping with the shock of separation and divorce, grieving for Danny, and putting together the show with Joel Bandiri had filled her days and nights, so she’d had no chance to think of romance.

  Responding to the unspoken need in Elliot’s eyes with a need of her own, she was suddenly warm.

  She thought: My God, I’ve been letting myself dry up! How could I have forgotten this!

  Now that she had spent more than a year grieving for her broken marriage and for her lost son, now that Magyck! was almost behind her, she would have time to be a woman again. She would make time.

  Time for Elliot Stryker? She wasn’t sure. No reason to be in a hurry to make up for lost pleasures. She shouldn’t jump at the first man who wanted her. Surely that wasn’t the smart thing to do. On the other hand, he was handsome, and in his face was an appealing gentleness. She had to admit that he sparked the same feelings in her that she apparently en-flamed in him.

  The evening was turning out to be even more interesting than she had expected.

  5

  VIVIENNE NEDDLER PARKED HER VINTAGE 1955 Nash Rambler at the curb in front of the Evans house, being careful not to scrape the whitewalls. The car was immaculate, in better shape than most new cars these days. In a world of planned obsolescence, Vivienne took pleasure in getting long, full use out of everything that she bought, whether it was a toaster or an automobile. She enjoyed making things last.

  She had lasted quite a while herself. She was seventy, still in excellent health, a short sturdy woman with the sweet face of a Botticelli Madonna and the no-nonsense walk of an army sergeant.

  She got out of the car and, carrying a purse the size of a small suitcase, marched up the walk toward the house, angling away from the front door and past the garage.

  The sulfur-yellow light from the street lamps failed to reach all the way across the lawn. Beside the front walkway and then along the side of the house, low-voltage landscape lighting revealed the path.

  Oleander bushes rustled in the breeze. Overhead, palm fronds scraped softly against one another.

  As Vivienne reached the back of the house, the crescent moon slid out from behind one of the few thin clouds, like a scimitar being drawn from a scabbard, and the pale shadows of palms and melaleucas shivered on the lunar-silvered concrete patio.

  Vivienne let herself in through the kitchen door. She’d been cleaning for Tina Evans for two years, and she had been entrusted with a key nearly that long.

  The house was silent except for the softly humming refrigerator.

  Vivienne began work in the kitchen. She wiped the counters and the appliances, sponged off the slats of the Levolor blinds, and mopped the Mexican-tile floor. She did a first-rate job. She believed in the moral value of hard work, and she always gave her employers their money’s worth.

  She usually worked during the day, not at night. This afternoon, however, she’d been playing a pair of lucky slot machines at the Mirage Hotel, and she hadn’t wanted to walk away from them while they were paying off so generously. Some people for whom she cleaned house insisted that she keep regularly scheduled appointments, and they did a slow burn if she showed up more than a few minutes late. But Tina Evans was sympathetic; she knew how important the slot machines were to Vivienne, and she wasn’t upset if Vivienne occasionally had to reschedule her visit.

  Vivienne was a nickel duchess. That was the term by which casino employees still referred to local, elderly women whose social lives revolved around an obsessive interest in one-armed bandits, even though the nickel machines were pretty much ancient history. Nickel duchesses always played the cheap slot machines—nickels and dimes in the old days, now quarters—never the dollar- or five-dollar slots. They pulled the handles for hours at a time, often making a twenty-dollar bill last a long afternoon. Their gaming philosophy was simple: It doesn’t matter if you win or lose, as long as you stay in the game. With that attitude plus a few money-management skills, they were able to hang on longer than most slot players who plunged at the dollar machines after getting nowhere with quarters,
and because of their patience and perseverance, the duchesses won more jackpots than did the tide of tourists that ebbed and flowed around them. Even these days, when most machines could be played with electronically validated value cards, the nickel duchesses wore black gloves to keep their hands from becoming filthy after hours of handling coins and pulling levers; they always sat on stools while they played, and they remembered to alternate hands when operating the machines in order not to strain the muscles of one arm, and they carried bottles of liniment just in case.

  The duchesses, who for the most part were widows and spinsters, often ate lunch and dinner together. They cheered one another on those rare occasions when one of them hit a really large jackpot; and when one of them died, the others went to the funeral en masse. Together they formed an odd but solid community, with a satisfying sense of belonging. In a country that worshiped youth, most elderly Americans devoutly desired to discover a place where they belonged, but unlike the duchesses, many of them never found it.

  Vivienne had a daughter, a son-in-law, and three grand-children in Sacramento. For five years, ever since her sixty-fifth birthday, they had been pressuring her to live with them. She loved them as much as life itself, and she knew they truly wanted her with them; they were not inviting her out of a misguided sense of guilt and obligation. Nevertheless, she didn’t want to live in Sacramento. After several visits there, she had decided that it must be one of the dullest cities in the world. Vivienne liked the action, noise, lights, and excitement of Las Vegas. Besides, living in Sacramento, she wouldn’t be a nickel duchess any longer; she wouldn’t be anyone special; she would be just another elderly lady, living with her daughter’s family, playing grandma, marking time, waiting to die.

  A life like that would be intolerable.

  Vivienne valued her independence more than anything else. She prayed that she would remain healthy enough to continue working and living on her own until, at last, her time came and all the little windows on the machine of life produced lemons.

  As she was mopping the last corner of the kitchen floor, as she was thinking about how dreary life would be without her friends and her slot machines, she heard a sound in another part of the house. Toward the front. The living room.

  She froze, listening.

  The refrigerator motor stopped running. A clock ticked softly.

  After a long silence, a brief clattering echoed through the house from another room, startling Vivienne. Then silence again.

  She went to the drawer next to the sink and selected a long, sharp blade from an assortment of knives.

  She didn’t even consider calling the police. If she phoned for them and then ran out of the house, they might not find an intruder when they came. They would think she was just a foolish old woman. Vivienne Neddler refused to give anyone reason to think her a fool.

  Besides, for the past twenty-one years, ever since her Harry died, she had always taken care of herself. She had done a pretty damn good job of it too.

  She stepped out of the kitchen and found the light switch to the right of the doorway. The dining room was deserted.

  In the living room, she clicked on a Stifel lamp. No one was there.

  She was about to head for the den when she noticed something odd about four framed eight-by-ten photographs that were grouped on the wall above the sofa. This display had always contained six pictures, not just four. But the fact that two were missing wasn’t what drew Vivienne’s attention. All four of the remaining photos were swinging back and forth on the picture hooks that held them. No one was near them, yet suddenly two photos began to rattle violently against the wall, and then both flew off their mountings and clattered to the floor behind the beige, brushed-corduroy sofa.

  This was the sound she had heard when she’d been in the kitchen—this clatter.

  “What the hell?”

  The remaining two photographs abruptly flung themselves off the wall. One dropped behind the sofa, and the other tumbled onto it.

  Vivienne blinked in amazement, unable to understand what she had seen. An earthquake? But she hadn’t felt the house move; the windows hadn’t rattled. Any tremor too mild to be felt would also be too mild to tear the photographs from the wall.

  She went to the sofa and picked up the photo that had dropped onto the cushions. She knew it well. She had dusted it many times. It was a portrait of Danny Evans, as were the other five that usually hung around it. In this one, he was ten or eleven years old, a sweet brown-haired boy with dark eyes and a lovely smile.

  Vivienne wondered if there had been a nuclear test; maybe that was what had shaken things up. The Nevada Nuclear Test Site, where underground detonations were conducted several times a year, was less than a hundred miles north of Las Vegas. Whenever the military exploded a high-yield weapon, the tall hotels swayed in Vegas, and every house in town shuddered a little.

  But, no, she was stuck in the past: The Cold War was over, and nuclear tests hadn’t been conducted out in the desert for a long time. Besides, the house hadn’t shuddered just a minute ago; only the photos had been affected.

  Puzzled, frowning thoughtfully, Vivienne put down the knife, pulled one end of the sofa away from the wall, and collected the framed eight-by-tens that were on the floor behind it. There were five photographs in addition to the one that had dropped onto the sofa; two were responsible for the noises that had drawn her into the living room, and the other three were those that she had seen popping off the picture hooks. She put them back where they belonged, then slid the sofa into place.

  A burst of high-pitched electronic noise blared through the house: Aiii-eee . . . aiii-eee . . . aiii-eee . . .

  Vivienne gasped, turned. She was still alone.

  Her first thought was: Burglar alarm.

  But the Evans house didn’t have an alarm system.

  Vivienne winced as the shrill electronic squeal grew louder, a piercing oscillation. The nearby windows and the thick glass top of the coffee table were vibrating. She felt a sympathetic resonance in her teeth and bones.

  She wasn’t able to identify the source of the sound. It seemed to be coming from every corner of the house.

  “What in the blue devil is going on here?”

  She didn’t bother picking up the knife, because she was sure the problem wasn’t an intruder. It was something else, something weird.

  She crossed the room to the hallway that served the bedrooms, bathrooms, and den. She snapped on the light. The noise was louder in the corridor than it had been in the living room. The nerve-fraying sound bounced off the walls of the narrow passage, echoing and re-echoing.

  Vivienne looked both ways, then moved to the right, toward the closed door at the end of the hall. Toward Danny’s old room.

  The air was cooler in the hallway than it was in the rest of the house. At first Vivienne thought that she was imagining the change in temperature. but the closer she drew to the end of the corridor, the colder it got. By the time she reached the closed door, her skin was goose-pimpled, and her teeth were chattering.

  Step by step, her curiosity gave way to fear. Something was very wrong here. An ominous pressure seemed to compress the air around her.

  Aiii-eee . . . aiii-eee . . .

  The wisest thing she could do would be to turn back, walk away from the door and out of the house. But she wasn’t completely in control of herself; she felt a bit like a sleepwalker. In spite of her anxiety, a power she could sense—but which she could not define—drew her inexorably to Danny’s room.

  Aiii-eee . . . aiii-eee . . . aiii-eee . . .

  Vivienne reached for the doorknob but stopped before touching it, unable to believe what she was seeing. She blinked rapidly, closed her eyes, opened them again, but still the doorknob appeared to be sheathed in a thin, irregular jacket of ice.

  She finally touched it. Ice. Her skin almost stuck to the knob. She pulled her hand away and examined her damp fingers. Moisture had condensed on the metal and then had frozen.

&n
bsp; But how was that possible? How in the name of God could there be ice here, in a well-heated house and on a night when the outside temperature was at least twenty degrees above the freezing point?

  The electronic squeal began to warble faster, but it was no quieter, no less bone-penetrating than it had been.

  Stop, Vivienne told herself. Get away from here. Get out as fast as you can.

  But she ignored her own advice. She pulled her blouse out of her slacks and used the tail to protect her hand from the icy metal doorknob. The knob turned, but the door wouldn’t open. The intense cold had caused the wood to contract and warp. She put her shoulder against it, pushed gently, then harder, and finally the door swung inward.

  6

  MAGYCK! WAS THE MOST ENTERTAINING VEGAS show that Elliot Stryker had ever seen.

  The program opened with an electrifying rendition of “That Old Black Magic.” Singers and dancers, brilliantly costumed, performed in a stunning set constructed of mirrored steps and mirrored panels. When the stage lights were periodically dimmed, a score of revolving crystal ballroom chandeliers cast swirling splinters of color that seemed to coalesce into supernatural forms that capered under the proscenium arch. The choreography was complex, and the two lead singers had strong, clear voices.

  The opening number was followed by a first-rate magic act in front of the drawn curtains. Less than ten minutes later, when the curtains opened again, the mirrors had been taken away, and the stage had been transformed into an ice rink; the second production number was done on skates against a winter backdrop so real that it made Elliot shiver.

  Although Magyck! excited the imagination and commanded the eye, Elliot wasn’t able to give his undivided attention to it. He kept looking at Christina Evans, who was as dazzling as the show she had created.

  She watched the performers intently, unaware of his gaze. A flickering, nervous scowl played across her face, alternating with a tentative smile that appeared when the audience laughed, applauded, or gasped in surprise.